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(Re)defining Sampling in Digital Audio Workstations: the Case of DirtyCircuit and Deadmau5

(Re)defining Sampling in Digital Audio Workstations: the Case of DirtyCircuit and Deadmau5 Sonja Hamhuis   In 2008, amateur musician DirtyCircuit used two samples of Deadmau5’s “Faxing Berlin” (2007) in one of his tracks. The samples were included in the database of FL Studio, a Digital…
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The Unified Composer-Producer-Performer: How the Digital Age has Democratised Musical Composition

  By Manuel Gutierrez Rojas   [M]odern technology has [. . .] shifted the metaphor from exceptional accomplishment on paper by “composers” to exceptional accomplishment on hard disk by “producers.” Moreover, the producer and his machines are on stage, just as the composer was once a performer.…
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‘Nederland op het Eurovisie Songfestival in de jaren vijftig en zestig: muziek, politiek en performance’ door Marjolein Wellink

Madrid, 29 maart 1969 Met het nummer “De Troubadour” deelt Lenny Kuhr de winst op het Eurovisie Songfestival  Nederland op het Eurovisie Songfestival in de jaren vijftig en zestig: muziek, politiek en performance Waar anno 2017 tijdens de finale van het Eurovisie Songfestival de uitspraak…